Play at Hindu gathering portrays Muslims as villains
Stage performance at Hindu nationalist event in Uttarakhand draws criticism for portraying Muslims as villains and promoting “love jihad” conspiracy theory
NEW DELHI, India (MNTV) — A theatrical performance staged during a religious gathering in northern India has drawn criticism after video clips circulated online showing Muslims portrayed as villains and interfaith marriage depicted as a conspiracy.
The play was performed during a public event known as a “Virat Hindu Sammelan,” a large gathering organized by Hindu extremist groups, in Dehradun, the capital of Uttarakhand state in the Himalayan region of northern India.
Footage from the performance spread widely on social media in recent days, prompting criticism from civil society groups and residents who said the play promoted negative stereotypes about Muslims and could deepen religious tensions in a country with a long history of communal conflict.
Local reports said the event was attended by activists linked to organizations such as the Vishwa Hindu Parishad (VHP) and Bajrang Dal, groups associated with the broader Hindu supremacist movement often referred to as Hindutva, an ideology that seeks to define Indian identity primarily in Hindu cultural terms.
The stage drama centered on the controversial claim commonly referred to in India as “love jihad.” The phrase is used by Hindu extremists to allege that Muslim men deliberately pursue relationships with Hindu women in order to convert them to Islam.
The theory has been widely disputed. In 2020, India’s federal government informed Parliament that the term has no legal definition and that national investigative agencies had not found evidence supporting claims of an organized conspiracy.
Despite those findings, the narrative has continued to circulate in political campaigns, media debates and public events in parts of the country.
In the Dehradun performance, the storyline depicted a Muslim man concealing his religious identity while forming a romantic relationship with a Hindu woman. The script later portrayed the relationship as part of a deceptive plot, with scenes suggesting financial motives behind the marriage.
Some viewers said the dialogue also included references to dowry payments and violence against the woman, which critics argued misrepresented Islamic teachings and reinforced harmful stereotypes about Muslim families.
The play concluded with the female character killing her Muslim husband, a moment framed in the script as a heroic act inspired by religious and mythological symbolism.
Observers said the narrative appeared to portray Muslims as dangerous adversaries while presenting violent retaliation as justified.
Rights advocates and community members said the performance highlights broader concerns about the use of cultural events to spread political or religious messaging targeting minority communities.
Analysts note that similar narratives have appeared at other public gatherings in several Indian states in recent years, reflecting growing polarization around religious identity.
As of this week, state authorities had not announced any investigation or official response to the performance.